Dhaboman

A complex reading of the period is impossible without interrogating art, literature and culture. Some are armed and some are disarmed depending on the structure of thoughts and thoughts. In order to grasp the mentality formed by the multi-faceted Uchila, it is necessary to read not only the black and white letters, but also the space between two words. So it is necessary to examine the mind step by step. In this process the trina to rajasana is not without question. Dhabman thinks so.

The village has an understanding with the writer. It is also with the reader. We want to give each other the opportunity to express ourselves, to continue fighting for it, to make all of our nature come true.

Dhabman Little Magazine first appeared in print in the mid-nineties edited by Ranjit Kumar (Abir Barshan). Then Ranjit Kumar edited it under the name Abir Parash. During his lifetime, Dhabman, edited by Kajal Kanan, was published from the ninth issue. Ten issues have been released so far. The 11th issue is in progress. The world has changed in many ways during this time. Especially the internet or online has taken a place. A new reality is also visible. Hence Dhavman's perception at this time - he may have a role in the online world.

We want to pursue a multiparty litigation. The author must write his independent opinion. We respect all opinions. However, I will not guarantee the expression of all opinions. Because we also have opinions, sides. Which side we are on, it will be clear through our work.
There is no way out without being inquisitive in today's musical reality. This research is essential for all individuals or groups, writers or readers. A weapon has turned 'civilization', from outer space to the fetus, into gunpowder. The world is a block of concrete under the aggressive clutches of capitalism. Its intellectual projects are more terrifying than weapons. The language of new art can be the struggle to free the mind from the destructive, colonial grip of nature.