The Critique of Judgment by Immanuel Kant completes the Critical Project.
The book has two major sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment. It also contains a thorough summary of the totality of Kant's Critical theory, organised in its final form. Kant produced a new introduction for publishing, hence the so-called First Introduction was not released during his lifetime. The Critique of Pure Reason, in which Kant argued for a Transcendental Aesthetic, was already the result of the Critical endeavour, which explored the boundaries and conditions of knowing.
According to The First Critique, the witnessing subject's intellect organises and shapes the sensory world through the use of space and time. The conclusion of this investigation in the First Critique is that there are some fundamental antinomies in the dialectical use of Reason, most notably that there is an absolute inability to favour both the claim that all behaviour and thought is determined by external causes and the claim that there is a real "spontaneous" causal principle at work in human behaviour.
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