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About Romantic Movies Bollywood All

Hindi cinema, often popularly known as Bollywood and formerly as Bombay cinema, is the Indian Hindi-language film industry based in Mumbai (formerly Bombay). The popular term Bollywood, used to refer to mainstream Hindi cinema, is a portmanteau of "Bombay" and "Hollywood". The industry is part of the larger Indian cinema—the world's largest by number of feature films produced, along with the cinema of South India and other Indian film industries.

Hindi cinema represents 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represent 36 percent, and the remaining regional cinema constituted 21 percent in 2014.Hindi cinema has overtaken the U.S. film industry to become the largest Centre for film production in the world.Earlier Hindi films tended to use vernacular Hindustani, mutually intelligible by people who self-identify as speaking either Hindi or Urdu, and modern Hindi movies increasingly incorporate elements of Hinglish.

The most popular commercial genre in Hindi cinema since the 1970s has been the masala film, which freely mixes different genres including action, comedy, romance, drama and melodrama along with musical numbers. Masala films generally fall under the musical film genre, of which Indian cinema has been the largest producer since the 1960s when it exceeded the American film industry's total musical output after musical films declined in the West; the first Indian musical talkie was Alam Ara (1931), several years after the first Hollywood musical talkie The Jazz Singer (1927). Alongside commercial masala films, a distinctive genre of art films known as parallel cinema has also existed, presenting realistic content and avoidance of musical numbers. In more recent years, the distinction between commercial masala and parallel cinema has been gradually blurring, with an increasing number of mainstream films adopting the conventions which were once strictly associated with parallel cinema.

Hindi cinema experienced another period of stagnation during the late 1980s with a box-office decline due to increasing violence, a decline in musical quality, and a rise in video piracy. One of the turning points came with such films as Qayamat Se Qayamat Tak (1988), presenting a blend of youthfulness, family entertainment, emotional intelligence and strong melodies, all of which lured audiences back to the big screen. It brought back the template for Bollywood musical romance films which went on to define 1990s Hindi cinema.

Known since the 1990s as "New Bollywood", contemporary Bollywood is linked to economic liberalization in India during the early 1990s.Early in the decade, the pendulum swung back toward family-centered romantic musicals. Qayamat Se Qayamat Tak (1988) was followed by blockbusters such as Maine Pyar Kiya (1989), Hum Aapke Hain Kaun (1994), Dilwale Dulhania Le Jayenge (1995), Raja Hindustani (1996), Dil To Pagal Hai (1997) and Kuch Kuch Hota Hai (1998), introducing a new generation of popular actors, including the three Khans: Aamir Khan, Shah Rukh Khan, and Salman Khan, who have starred in most of the top ten highest-grossing Bollywood films. The Khans and have had successful careers since the late 1980s and early 1990s, and have dominated the Indian box office for three decades. Shah Rukh Khan was the most successful Indian actor for most of the 1990s and 2000s, and Aamir Khan has been the most successful Indian actor since the mid 2000s. Action and comedy films, starring such actors as Akshay Kumar and Govinda.The decade marked the entrance of new performers in art and independent films, some of which were commercially successful.

Some popular films of the decade were Kaho Naa... Pyaar Hai (2000), Kabhi Khushi Kabhie Gham... (2001), Gadar: Ek Prem Katha (2001), Lagaan (2001), Koi... Mil Gaya (2003), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Rang De Basanti (2006), Lage Raho Munna Bhai (2006), Dhoom 2 (2006), Krrish (2006), and Jab We Met (2007), among others.

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