Shri Shri Chaitanya Charitamrita Madhya Lila শ্রী শ্রী চৈতন্য চরিতামৃত মধ্যলীলা
The Caitanyacaritāmṛta (Bengali: চৈতন্যচরিতামৃত, romanized: Côitônyôcôritamṛtô), composed by Krishnadasa Kaviraja in c. 1557, is written in Bengali with a great number of Sanskrit verses in its devotional, poetic construction, including Shikshashtakam. It is one of the primary biographies detailing the life and teachings of Caitanya Mahāprabhu, the founder of Gaudiya Vaishnavism. The stories of Chaitanya's life are mixed with philosophical conversations detailing the process of Bhakti yoga, with special attention given to congregational chanting of Krishna’s names and the Hare Krishna mantra.
Adi-lila
The Adi-lila explains Chaitanya's unique theological identity (Krishna in the mood of Radharani—a combined avatar), his lineage, his closest childhood companions and their lineage, and his devotional associates. It ends with a brief summary of his life up to his acceptance of sannyasa.
In the conversation with Chand Kazi (the Muslim ruler at the time), the word 'hindu' is used repeatedly for the inhabitants of Nabadwip who were not Muslims.[1]
Madhya-lila
The Madhya-lila details Chaitanya's sannyasa; Madhavendra Puri's life; Chaitanya's philosophical conversation with Sarvabhauma Bhattacharya (Advaitin scholar) promoting bhakti as supreme over the impersonal view; Chaitanya's pilgrimage to South India; the daily and annual activities of Chaitanya and his devotees during the Ratha Yatra festival near Jagannath Temple (Puri, Odisha); their observance of other festivities; and Chaitanya's instructions on the process of Bhakti yoga to both Rupa Goswami and Sanatana Goswami.
Antya-lila
The Antya-lila describes the devotional plays composed by Rupa Goswami, Chaitanya's interactions with the occasional critics as well as his devotees such as Raghunatha dasa Goswami and Jagadananda Pandita, and Chaitanya's increasing agony of separation from Krishna (viraha or vipralambha bhava). It concludes with the Chaitanya's Shikshashtakam (eight verses of poetic instruction).
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